<?xml version="1.0" encoding="UTF-8"?>
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  <title>DSpace コレクション: 2019-02-04</title>
  <link rel="alternate" href="http://hdl.handle.net/11173/2745" />
  <subtitle>2019-02-04</subtitle>
  <id>http://hdl.handle.net/11173/2745</id>
  <updated>2026-04-19T09:38:26Z</updated>
  <dc:date>2026-04-19T09:38:26Z</dc:date>
  <entry>
    <title>宿泊施設の安全性と生活環境の安心 : 住宅宿泊事業法と建築基準法の齟齬</title>
    <link rel="alternate" href="http://hdl.handle.net/11173/2877" />
    <author>
      <name>北尾, 靖雅</name>
    </author>
    <id>http://hdl.handle.net/11173/2877</id>
    <updated>2019-06-24T16:30:50Z</updated>
    <published>2019-02-03T15:00:00Z</published>
    <summary type="text">タイトル: 宿泊施設の安全性と生活環境の安心 : 住宅宿泊事業法と建築基準法の齟齬
著者: 北尾, 靖雅
抄録: Tourism is expanding worldwide because of improving the transportation system and is used for the enhancing economy activities in the countries. In order to accept the tourists, there will be the needs of building hotels, lodges, and guesthouses in the local area. The problem is that the destination of the tourists is concentrated. Kyoto is an old city in which many tourists hope to visit and stay in. Recently investment of hotels and guesthouses occurs living environment problems in Kyoto. At the same time building act and hotel business act in Japan were changed, and the new guesthouse law is promulgated. This paper discusses discrepancies between building act and guesthouse law in terms of safety of the guesthouse/hotels and a peaceful living environment in Japan by using the concrete examples of the case study in Kyoto. As the result the discussion, we point out that the migration of the regulation should not harm the basic safety of the living environment of the local neighborhoods.</summary>
    <dc:date>2019-02-03T15:00:00Z</dc:date>
  </entry>
  <entry>
    <title>小規模美術館が所蔵する作品のデジタル化 : 藤平伸記念館を例に</title>
    <link rel="alternate" href="http://hdl.handle.net/11173/2874" />
    <author>
      <name>前﨑, 信也</name>
    </author>
    <author>
      <name>木立, 雅朗</name>
    </author>
    <author>
      <name>藤平, 三穂</name>
    </author>
    <author>
      <name>阿部, 亜紀</name>
    </author>
    <author>
      <name>北野, 奈々</name>
    </author>
    <id>http://hdl.handle.net/11173/2874</id>
    <updated>2019-06-24T16:30:49Z</updated>
    <published>2019-02-03T15:00:00Z</published>
    <summary type="text">タイトル: 小規模美術館が所蔵する作品のデジタル化 : 藤平伸記念館を例に
著者: 前﨑, 信也; 木立, 雅朗; 藤平, 三穂; 阿部, 亜紀; 北野, 奈々
抄録: Fujihira Shin (1922-2012) is one of the leading ceramic artists in Kyoto of the 20th century, and on 2 October 2018, Fujihira Shin Memorial Museum was opened in the Higashiyama District, Kyoto. Kyoto Women’s University and Ritsumeikan University worked together for the digitization of all the works in the collection. With help from students of both universities, this project completed digitization of the collection which consists of 1810 works. This paper explains the details of the project and also discuss the use of digitized images for small museums.</summary>
    <dc:date>2019-02-03T15:00:00Z</dc:date>
  </entry>
  <entry>
    <title>表紙ほか</title>
    <link rel="alternate" href="http://hdl.handle.net/11173/2875" />
    <author>
      <name />
    </author>
    <id>http://hdl.handle.net/11173/2875</id>
    <updated>2019-06-24T16:30:39Z</updated>
    <published>2019-02-03T15:00:00Z</published>
    <summary type="text">タイトル: 表紙ほか</summary>
    <dc:date>2019-02-03T15:00:00Z</dc:date>
  </entry>
  <entry>
    <title>オランダの産業遺産の保存活用における中間的事業主体</title>
    <link rel="alternate" href="http://hdl.handle.net/11173/2876" />
    <author>
      <name>北尾, 靖雅</name>
    </author>
    <id>http://hdl.handle.net/11173/2876</id>
    <updated>2019-06-24T16:30:49Z</updated>
    <published>2019-02-03T15:00:00Z</published>
    <summary type="text">タイトル: オランダの産業遺産の保存活用における中間的事業主体
著者: 北尾, 靖雅
抄録: This is a note of the research project on the industrial heritage in the Netherlands, aiming to understand the contents, concept and backgrounds of the conservation and utilization of the industrial heritages. In the country, these kinds of projects are generally called adaptable re-use project. There is the concept of creating the circular society behind this type of projects. Then we understand the history of theses industrial heritage and its site together with the city. Furthermore, we understood the social systems that are behind of the projects. The examples of the hermitages in this note, we deal with the examples of De Hallen, NDSM, Strijp-S, and Villa Augustus. As a result of the analysis, we could find three points in order to enhance the conservation and utilization of the industrial heritage without losing historical value. We hope this note gives a clear message to the public in order to enhance the adequate conservation projects for the future.</summary>
    <dc:date>2019-02-03T15:00:00Z</dc:date>
  </entry>
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