2018-02-05 http://hdl.handle.net/11173/2521 2026-04-19T09:38:29Z 2026-04-19T09:38:29Z 渡邊, 敬子 平井, 晶子 http://hdl.handle.net/11173/2577 2018-07-10T16:30:23Z 2018-02-04T15:00:00Z

タイトル: 座位姿勢に適合した胴部原型の設計 : 立位姿勢と座位姿勢の体表面展開図の比較 著者: 渡邊, 敬子; 平井, 晶子 抄録: There is a need for a pattern of clothing that fits the body of people in a sitting position like a wheelchair user or the elderly. In this study, the difference between the body surface development of the standing position and the sitting position was clarified for providing the basis of garment design. Twenty-nine young women were measured under the following three conditions: standing normal position, natural sitting position, sitting position with rounded back. The 3D data was converted to a virtual body, and the body surface development of the trunk was obtained by a software called LookStailorX. The shape of the developments was quantitatively expressed by the coordinate values of the apex, length and angle. As the result, significant differences were seen between sitting position with rounded back and standing position. Furthermore, the average shape of the torso surface development was significantly different, so it is difficult to adjust the basic pattern to the torso in the round sitting position. For example, the back width, the length from the cervical point to bust line level were longer than that in standing position, and the chest width and front length were shorter. For sitting position with rounded back, the waist darts of the back body are 3.2° more, the frontshoulder slope is 6.4° more and the back-shoulder slope is 7.5° less than that for the standing position. Therefore, it is necessary to design a pattern taking into consideration the differences as described above.

2018-02-04T15:00:00Z http://hdl.handle.net/11173/2578 2018-07-10T16:30:23Z 2018-02-04T15:00:00Z

タイトル: 表紙ほか

2018-02-04T15:00:00Z Kitao, Yasunori http://hdl.handle.net/11173/2579 2018-07-10T16:30:23Z 2018-02-04T15:00:00Z

タイトル: Socio-Cultural Heritages of a Community Center : Traces of the modern local industry and citizen movements 著者: Kitao, Yasunori 抄録: The purpose of this paper is to evaluate an example of modern architecture in Shiogama Japan in terms of the effects of local industry and local community movements in relation to the transformation of Japanese society in the post-war period. As the ultimate purpose of the modern movement in architecture is to benefit the common people, we decided to focus on the community centres that were built after Japan’s defeat in the Second World War. At that time Japanese society changed rapidly from a military regime to a democratic regime. The community centre that is dealt with in this paper was built in the early 1950s, so we can expect to find some aspects of building a democratic society behind the actual building project. We are going to discuss the invisible value of this community centre in the period when the Japanese government promoted interior resources development projects. Through this discussion, we are able to understand some hidden historical values of the community centre, which represents not only the social phenomenon of that period in the architectural expression and technical aspects of the building but also the local industrial heritage. We describe the importance of sustaining support for the local peoples’ activities by conserving this community centre, and then explain how the municipality of Shiogama decided to renovate this historical piece of modern architecture. Now the former community centre has been re-born as a community centre and a museum of art for a local painter. 本論の目的は、戦後の日本の社会に関する地場産業と地域コミュニティに関して、塩竈市の近代公共建築を事例に検討することにある。近代の究極の目的は社会福祉であると考えられていることを考慮して、社会福祉の増進が明確に憲法に示され、目指された第二次世界大戦後の日本社会で建設された公民館に関して議論を展開してゆく。本論で検討する公民館は1950年代に建設されたので、民主主義による社会構築に関する建築的側面を発見する事が期待できると考えた。加えて、当時の日本政府は国内資源の開発を積極的に目指していたことから、1950年台の公民館の背景に存在する地場産業の側面を検討してゆく。本論を通して、公民館の隠れた歴史的価値を理解した。特に建築表現における技術的な側面と地域産業の痕跡に加えて、地域の社会現象も公民館建築に反映されていることが把握できた。その上で、公民館の保存が、地域社会のコミュニティの支援として役割を担っているように、建築の維持や保存が重要であることを示した。公民館は、地域の画家の美術館として活用されていることを通じて、改修事業についても触れている。

2018-02-04T15:00:00Z 前﨑, 信也 山本, 真紗子 http://hdl.handle.net/11173/2576 2018-07-11T01:49:09Z 2018-02-04T15:00:00Z

タイトル: Google Arts & Culture 「Made in Japan : 日本の匠」 における京都女子大学と立命館大学の取り組みについて 著者: 前﨑, 信也; 山本, 真紗子 抄録: Established in 2011 by Google, the Google Cultural Institute (URL: g.co/artsandculture) is an epochmaking platform designed to more effectively diffuse the intellectual knowledge hitherto accumulated by these institutions with art and cultural collections around the world to the general public (the platform was renamed Google Arts & Culture in 2015). Made in Japan: Nihon no Takumi (URL: g.co/madeinjapan) was launched in January 2016 with the purpose of introducing traditional crafts from around Japan. Kyoto Women’s University and Ritsumeikan University played major roles in this project with other partners of the project such as NHK Educational, Tottori Prefecture, Kyoto Museum of Traditional Crafts and a few others. The initial purpose of “showing the other side of Japan’s traditions”. Besides showing the works created, we have also been showing behind the scenes in the making of crafts which would normally be unseen by the public. Many of the results from searches in the categories of pottery, lacquer, wood, bamboo, and paper on A&C are works by the Made in Japan project, making this project one of the largest on A&C showcasing crafts. This short paper introduce the way in which the two university institutions worked together and the problems faced to create the project.

2018-02-04T15:00:00Z